Added a New Paper: Breaking the Pattern

Well, “new” in relative terms, that is. The paper, “Breaking the Pattern: Alan Garner’s The Owl Service and The Mabinogion” was written for Mythcon 24, held in Minneapolis, Minnesota, July 30-August 2, 1993. It was published in Mythlore 75, Winter 1994, and later reprinted in The Children’s Literature Review, volume 130 (2008).

Valley in WalesThis has always been a work of scholarship that I have regarded with satisfaction, both because of the source material (Garner’s small novel) and the analysis itself. I felt as if the whole analysis unfolded itself like a blooming flower. Very little wrestling with the material was required.

I’ve always been fond of what Alan Garner achieved in The Owl Service. I feel he used the combination of mythic stories and fantasy to say something very effective and powerful about how we let things shape us in life. Garner weaves myth into the fabric of seemingly everyday life for his young protagonists, and by not over-playing its presence, he makes it all the more real.

The setting is a fairly isolated valley in Wales. The quiet isolation frees the characters from modern, urban distraction, while the rural setting heightens the “magical” connection of people to their land.

Broom flowersI won’t go on a length about the myths in the story, for those elements are covered in the paper itself. But I do want to observe that I was fascinated by the myth of Blodeuedd, the girl created of flowers to “serve a purpose,” but who turned out to be all too willful and human.

She was created of the flowers of the oak, broom and meadowsweet, and she was very beautiful indeed. But her willfullness led to her being transformed into an owl, a hunting owl.

Hunting owlGarner’s story raises the question as to whether or not the youngsters (who hover in the edge of adulthood) will resolve the issues at hand, or whether they too will become trapped by the power of the valley.

I love stories, of course. But I also love studying and analysing them. This is why I offer this scholarship for the curious, for those who want to look further into an enjoyable story.

PLEASE READ THE PAPER.

Wall in WalesPhoto credits:

“Valley in Wales” from www.morguefile.com
“Broom” – photo by Carsten Niehaus, from Wikipedia, used under Creative Commons.
“Owl” – photo by Andrew Wells (copyright owner), used by permision. It was taken at The Barn Owl Centre in England..
“Wall in Wales” – photo by “gojo23”, from www.morguefile.com


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Getting To Mythcon

Because this has been a very tough year for me all around, I fully expected that I would not be attending Mythcon, in spite of the fact that it was relatively near, in Berkeley. I just couldn’t afford it, not when I’ve been barely scraping things together to make the rent. But happily, in a very humbling turn of events, a dear friend offered to cover my registration and room & board. All I had to do was get myself there.

I wasn’t sure how that was going to work out. It turned out that my friends who were going from this area either already had full cars or they were doing before-and-after side trips with or to family. Well, I wasn’t entitled to a ride, so I had to consider other means. And then, blessing of blessings!, a second friend gave me some funds specifically designated for transportation costs to Mythcon.

I was on my way! (figuratively speaking).

The best option looked to be taking the Greyhound bus from Los Angeles to Oakland, and then either public transportation or a taxi from the station to the Clark Kerr Campus. And, I discovered, one could make advance reservations for the bus ticket and pay for them at a local 7-Eleven store! Initially I thought “I can get a ride back to LA,” so I made a one-way ticket reservation going. But the next morning, before I headed out to pay for the ticket, it occured to me that I shouldn’t presume on a ride, so I made the return ticket reservation (which turned out to be even less expensive that the departing one! Ah… advance purchasing!).

I went over to the 7-Eleven with my confirmation printouts. I paid for the departing ticket and all went smoothly. But when he tried to process the second ticket confirmation, the system said the ticket had already been paid and printed! We both knew it had not, so he wouldn’t take my money. I was flummoxed as to what to do. Reading the fine print on the confirmation, it says that if there’s a problem, call the service’s number from the store.

Well, it took a bit of juggling between the service and Greyhound, but eventually we got it worked out, I paid for my ticket, got it, and was ready to go.

I’d chosen to take the very late bus between Los Angeles and Oakland, so that I could (supposedly) sleep on the bus, and arrive in Oakland fairly early on Friday morning. A friend dropped me off at the LA Greyhound station at about 9:30 p.m. My bus wasn’t departing until about 11:30.

I stood in line, to check in my suitcase. Other than one trip to San Francisco not long after I moved out to California, I hadn’t ridden Greyhound since my days of living and working in Austin, Texas. But the throngs of people traveling by bus felt familiar from those days. Eventually I got to the head of the line, checked in, got my suitcase tagged and handed it over to the woman at the counter, so that it could be loaded on the 11:30 bus. That was at 10 p.m.

There’s a side story about the suitcase I was using for this trip. I have three wheeled suitcases, of the carry-on size (though I usually check the one I’m using when traveling). For several years, I’ve used the “fanciest” one of the three exclusively, as it has a number of very cool zippered pockets. But two weeks before (at the Writers Conference, in fact) one of the tires on that case got broken. I’d glued it, but didn’t feel comfortable with the idea of using it. So I’d gone to my storage unit to get one of the other two. One was a plain ordinary black bag, and the other had grey straps and tan handles and a prominent badge on the front that says JEOPARDY! The show staff had been given them as a gift one Christmas after we started doing remote shoots. On a whim, I decided to use the distinctive bag.

So there I sat in the station, watching Olympic events (Women’s Gymnastics and Men’s Swimming – I saw Phelps win one of his medals) waiting for my bus. I discovered that many people choose the over-night bus ride, for the bus was nearly full when we finally pulled out.

Off we went, and I discovered that there is no easy position for sleeping when you share a row on a bus. I did not sleep well or much. Plus, it seemed that for nearly two hours, one guy a few rows ahead of me felt compelled to talk and talk and talk. I don’t know if he was talking at his seat partner, the bus driver, or on the phone. But it was a distracting drone.

Be that as it may, the bus pulled into the Oakland station not long after 7 a.m. Most were going on into San Francisco, but there were a handful of us getting off at Oakland. We stood by the bus, waiting for the baggage guys to do their things. And waited. And waited. Eventually, my cohorts got impatient, opened the compartments and hauled out their bags and disappeared. So I looked for my small bag. Now, mind you, I’m standing there with my computer bag on my shoulder, which in addition to some other stuff contained my five pound laptop. But my bag was nowhere to be seen. The baggage guys came out and they looked and shifted. But it wasn’t there. And the station’s supervisor didn’t get in until 9.

When you’ve been living with existential stresses for months, problems like this rub you raw very fast. So, yes, I freaked out a bit. Because I’d realized a couple of things: although the bag did have a baggage claim tag on it, it did not have an identification one (I’d forgotten about that); and more drastically, the manuscript of my fantasy novel was in that bag. Now, most of the chapters have been typed into the computer, but the current chapter that is being written had not been. I write the first draft long hand. On top of that, with the manuscript was a work notebook that had passages the story hasn’t reached yet, including the ending, and none of that material is copied on a computer at all! It would be awful to loose that! Stress on stress.

The one good thing was that I had plenty of time. Registration for the conference didn’t officially open until noon. So I could wait for the supervisor. And I had some reading material with me, and the laptop. So I whiled away the time.

The supervisor arrived and I spoke with her, explaining that even though I had checked in my bag an hour and a half before departure, it somehow had not gotten onto the bus. She called Los Angeles and spoke with them (outside my hearing range). When she came back to me, she said that they said that everything that had been tagged for Oakland had gone out, it was not at the Los Angeles station.

If I wanted, I could wait for the next bus to come in, at 10:30. The ones after that would be arriving after noon. I waited some more. But no, alas, it was not on the next bus. She and I discussed matters further. I had money to take a taxi to the campus, but not to return to pick up anything. (The campus was about 5 miles away, but the cab ride would cost about $18.) And I couldn’t stay at the station for the afternoon buses, since there was programming in the afternoon at Mythcon. So she agreed to call me when my bag showed up, and she would make arrangements to have it delivered.

Now, my freak-out session had cooled off fairly quickly after I’d started talking with her, and it occured to me that if God had taken the trouble to make it possible for me to attend Mythcon, perhaps I could trust Him to keep track of my rather unique looking bag and get it back to me. So I accepted the supervisor’s proposal, and she called a cab for me. She even waited outside with me, to be sure what turned up was a legitimate cab and also to keep me company in case a local dubious street person might be around. All went well.

I arrived at Mythcon, very happy to see my friends. What a joy it was, after months of survival concerns, to just have a weekend of good companionship and conversation.

At 4 p.m., I got a call from the station supervisior. My bag had finally shown up and she was sending it over to the campus. It’s about a 15 minute drive, so I waited outside. She sent it by taxi – and Greyhound was going to be paying for the delivery! I thanked the driver profusely, I was so happy to see my bag! And I promised myself I would definitely thank the supervisor again when I headed home on Monday.

I’d packed the puppet dragon Yu in the suitcase, as well as the novel. The theme for the conference was the influence of Asian mythologies on fantasy literature, and there were to be plenty of dragon presentations. So he was an eminently suitable traveling companion for this conference.

The dragon puppet Yu traveled to Mythcon

I unpacked him and took him along to dinner. But the rest of my adventures at Mythcon will go into a full-on PDF report that I’ll post on the website in the near future (with pictures).

But… I had gotten to Mythcon

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How the Writers Conference Went

The Greater Los Angeles Writers Conference was held July 20 through 22, 2012 at the Los Angeles Valley College. It was the first year for the conference, and generally speaking it went off pretty well.

I attended as a speaker, and as such had the priviledge of sitting in on sessions where I was not speaking. I thought it would be interesting to give a sample of what I was able to experience during the weekend.

The first session I attended was “Writing a Memoir That Others Want To Read”, given by Matt Pallamary and Maralys Wills. I’ve heard Maralys speak before, so there wasn’t much new for me. But the two of them did a good job interacting, and responding to the inquiries from the audience. I have a couple of memoir type projects in my files, so I found what the speakers had to say of interest, in particular the matter of giving focus to the story of the memoir.

After that, Dan Watanabe did a session called “Hollywood 101”. This was a fun one to sit in on, because Dan is an engaging speaker. What he had to say was, for me at least, not new. But for someone getting their feet wet, it was definitely informative. Daniel Nyiri did a session following Dan titled “Plays and Novels into Screenplays”. There were only a handful of people for this session, so it became far more conversational that a simple dispensing of information.

After that, I was on deck with Maxwell Alexander Drake for a session titled “Location, Location, Location.” It was about setting and world-building. Drake (as he prefers to be called) and I had met the week before in San Diego at Comic Con, and we hit it off. He does quite a lot of teaching of different topics for writing and was quite energetic in what he had to say. We covered both the general things a writer has to do to create a credible setting, whether present day, historical or one for a fantasy or science fiction tale. Afterward, I took up a station to try and convince attendees to buy copies of my own book, The Scribbler’s Guide to the Land of Myth.

Saturday brought a full day of programming, though I did not sit in on quite as much. First up was “Writing Science Fiction and Fantasy for Today’s Savvy Reader”, with panelists Deborah Pratt, Sherwood Smith, Maxwell Alexander Drake, Maury Garnholz, with Denise Dumars taking on Moderating duties. This ended up not being quite as satisfying as it might have been, but I think that was more a case of it being a largish panel.

“Why Manuscripts Arrive Dead on Arrival at Agents and Publishers” is a topic that has been covered in GLAWS panels at Loscon and at Special Speaker Events. The panelists were Denise Dumars, Steve Booth, Paul S. Levine, W. Terry Whalin, moderated by Tony Todaro. Again, the usual problems are from aspiring writers who fill their inquiry letters with obvious statements (“I’m looking for an agent” or “I have a manuscript I want to interest you in”) instead of getting to the point of interesting the agent or publisher in the work. I should note part of my reason for sitting in on this panel is that I recently signed with Paul Levine as my book agent. The panelists were quite lively and informative.

Dan Poynter gave the luncheon keynote address. He speaks on self-publishing and building an audience. He’d spoken at a GLAWS event last year, so I didn’t expect to hear anything new. After lunch, I again tried to sell a few copies of my book.

In the afternoon, my second speaking session came round. I shared the hour with my friend Eric Swelstad, and we spoke about the Hero’s Journey. We used the Vogler version of the Journey outline as our jumping off points. Our audience was very responsive and had engaging questions as well. It went very well, it seemed to me. More attempts at selling books followed.

The day ended with a panel on writing graphic novels that was also the July GLAWS Special Speaker Event. Panelists were Art Holcomb moderating, Barbara Randall Kesel, Jim Krueger, and Neo Edmond. They were quite an engaging group and answered questions for the audience. Barbara is something of a friend of mine, so I was interested in what she had to say. And of course, generally speaking, the topic is pertinent to the work I’m doing on Paper Movies.

Afterward, a number of people went to dinner together. Since by this time I had actually sold a few copies of my book, I treated myself to a very nice dinner of filet mignon.

Sunday began with another session with Dan Wantanabe. It was intended to be a pitch session, but Dan is very much a good storyteller, and so we listened to his “working in Hollywood” tales. Afterward, I went back to bookselling.

However, afterward in the afternoon, I substituted on a panel titled “Endings, the Good, the Bad, the Ugly”. We talked about shaping stories toward their endings. Knowing where your story is going is very important since it helps shape the elements you chose to move the tale forward. The questions from our small audience were quite good, as we had both fiction and non-fiction writers present. Afterward, a couple of the attendees expressed their appreciation for the panel, saying it had helped them considerably.

The conference ended with a “Literary Agents Roundtable”, with panelists Steven Fisch moderating over Paul S. Levine, Toni Lopopolo, Jeff Silberman, Steve Hutson, Dana Newman, and Peggy Patrick. They were quite a diverse group with differing opinions, particularly on matters of the growth of e-publishing and self-publishing and how that affects traditional publishing. Though the exchanges were lively, they were also very informative.

All in all, a most interesting weekend for writers. And it was an occasion for me to do more speaking about writing. I find that I enjoy doing it. And since I did sell a few copies of my book, over all, it worked out well enough for me.

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Speaking at a Writers Conference

Next weekend, I’ll be one of the speakers at the Greater Los Angeles Writers Conference, giving presentations on both Friday and Saturday.

On Friday, at 4:45, I’ll be teaming with Maxwell Alexander Drake to discuss “Location, Location, Location”. Basically discussing setting and world-building for writers. On Saturday, at 3: 15, I’ll be holding for on “The Hero’s Journey” with my friend, Eric Swelstad.

You do have to register for the whole conference to attend these sessions. There’s quite a lot of material of all sorts being covered by the programming so it is worth checking out.

This is definitely an opportunity for me to get in some more practice speaking on front of groups. And I’ll be able to sell copies of The Scribbler’s Guide to the Land of Myth at the event.

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June at ScribblerWorks

Things have been rather slow around here. There is the perpetual job-hunting that is continually frustrating (as in, seeming to go no-where). Scraping by is no fun. I had hopes my niece Karen would be able to visit, but that didn’t work out (she had a great trip to the Bay Area, however, which I’m happy about).

In the meantime, I’ve been getting back to work on a couple of projects.

I’m working on a non-fiction book about adapting stories as graphic novels. Inspired by the fact that a lost of screenwriters are trying to convert their screenplays into graphic novels, without really knowing the comic book business, I am writing a guide that will help them do the adaptation, find art teams, get the book into print and before an audience.

I had a friend, the talented Jim MacQuarrie (yes, he of the archery range) do this cover design based on an idea I had. I think he did a terrific job.

The second project I’m actively tackling is my novel about Lady Godiva. Picking up the threads of my period research has taken some work. There’s always some detail that I need to recheck. I’m being a little bit flexible in my handling of the historical facts, but given that so little is actually known about the real people, I’m not overly worried about that. I feel that I’ve come up with an over-all context that makes the whole thing work.  I approached it starting with the supposition: “Suppose the legend really is true. How did this come about? What factors made it happen? And why Coventry?”

A big part of the driving energy behind working on these two projects comes from meeting a literary agent who expressed interest in them. “Woo! Someone’s interested! Back to work!” It’s a great motivation. A non-fiction book can be sold on a proposal (now finished and in his hands). But a novel needs to be completed, hence the “back-to-work order” for  Godiva.

The extreme limits on my budget at the moment have put some of my usual summer activities on hold, or at least up-in-the-air. Although I am registered as a Pro for the San Diego Comic Con International, I’m not sure about getting down there for it. I have a possible ride down for a Sunday-only excursion, which I will certainly use if there’s no other way to get down there. But I’m not yet giving up on other possibilities. My other usual outing is Mythcon, which this year will be in Berkeley again. Thanks to the generousity of a friend, my registration and room & board have been covered. All I have to do is get there.

Adventures in life, aren’t they?

In July, I’ll be speaking at a writers’ conference, the Greater Los Angeles Writers Conference (July 20-22).  On the Friday, I’ll be speaking about the matters of the setting for stories and the craft of world-building. On the Saturday, I’ll be speaking about the Hero’s Journey (with my friend Eric Swelstad). I’ll also try and sell a few copies of my Scribbler’s Guide to the Land of Myth to attendees. It should be an interesting weekend.

I’m also doing some updating (rather slowly) on the ScribblerWorks website. I should upload a new paper soon, and perhaps some new poems. In the meantime, check out the Graphics blog that has been set up. I will be posting more artwork there, and soon begin developing more Zazzle products based on my artwork.

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On the Pasadena Archery Range

Every so often I go over to the Pasadena archery range, in the Arroyo park, where the Pasadena Roving Archers oversee regular activities. My friend Jim MacQuarrie and his wife Terri teach the kids and mentor the aspiring Junior Olympian archers. Because they’re dealing with a wide range of ages, they maintain a very relaxed atmosphere. And a shorter shooting range for the kids (20 yards). The larger range has more space for the 30 yard archers, but I admit … it’s more work. So when I do manage to get over there, I like shooting with the kids.

Recently, for the Geek Dad blog on Wired.com, Jim had done some analysis of the various movies this year that feature archery in them.  His comments about Brave and the quality of the shooting in one of the trailers, earned him a spot on a bloggers press junket to the Pixar studio and an advanced screening (lucky dog!). He complimented the young star of the Hunger Games for the evident work she did in learning proper archery form.  And then he had some fun criticizing the “movie archery” form of the actor playing Hawkeye in the Avengers movie, which got him some flak from fanboys.

In spite of the flak about his comments regarding Hawkeye, Jim has been predicting that this year there will be a high growth of interest in youngsters about archery – because of these films, and because the U.S. Olympic Archery team is the very best we’ve fielded in many years – he expects to see gold for them.

I hadn’t been to the range in many months (maybe even a year). Partly because many of my Saturday mornings are occupied with other scheduled things, and partly because driving over to Pasadena takes up gas – a consideration when you’re on a really short budget, unfortunately. But this last Saturday, time and gas-in-the-car conformed in a happy mixture, and I headed over there, to see how things were with the MacQuarries and their charges.

In the past, there was usually something under a dozen kids of all ages. But Saturday, there were considerably more. And even as the shooting went on, a couple of sets of parents (with children in tow) asked about the activity.

The kids are very eager, and the MacQuarries give them full attention, even in such large groups. They do a good job keeping everyone in order on the line.

Terri’s very good in getting them to follow her instructions.

I think the youngsters mind the instructions because the MacQuarries never make them feel that its not fun to get it all right. The kids are pretty patient, even with so many eager to shoot, and the necessity of waiting to take your turn at the line.

They wait to shoot ….

And then they take their turns at the target, pulling out their arrows. And some of them were doing a heck of a lot better than I was. (Yes, my excuse is that I haven’t shot in over 10 months. That’s it. Of course. Heh.)

All in all, I had a great morning at the range. It was delightful seeing so many kids seriously paying attention to the instruction and enjoying their achievements. And I got in some shooting myself, as well as some much-needed exercise.

If you live even moderately near Pasadena, you can contact the Pasadena Roving Archers for more information about shooting (they do have equipment for those who don’t own their own). The Park down in the Arroyo is where the Sherwood Forest sequences for the Errol Flynn Adventures of Robin Hood were shot, if Hollywood history appeals to you. There are two other archery ranges in the Greater Los Angeles area that I know of: Woodley Park in the San Fernando Valley, and Rancho Park in Cheviot Hills near the Fox Studios. I myself have never shot at Woodley Park, but it’s a nice wide open space. The Rancho Park range is perhaps the size of a tennis court, with careful fencing to keep arrows from flying astray off the range. It’s open all hours if you have your own equipment – I used to shoot there quite frequently on my way home from work at the Sony Studio in Culver City.

Archery is a great sport for low-impact stresses – if you can pull your bow and aim, you can shoot. It requires you to relax your brain in order to focus, so it’s a great way of getting stress and bothers out of your thoughts and system – at least for as long as you’re on the range. I really need to get back into doing it more often.

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New Poetry on the Website

April is apparently Poetry Month, so it is giving me the excuse to get some poems posted to the website. For a couple of these, I’ve been meaning to get them up for some time.

But let’s start with the first one —

“In the Now” was written as a tribute to the late Jack Gilbert. As mentioned in my “In Praise of Friends” post, he was a good friend from my Premise fellowship and pretty much led the screenwriting group that came out of it, the Writers Forum. Jack had a quality of immediacy. You always sensed that there was nothing else on his mind at that moment. It showed in how he related to children and pets.

He will be greatly missed

“The Forsaken” was written many years ago as a Good Friday poem. I posted it on LiveJournal in 2009, just as text. I’d been looking for a suitable background that I liked for the poem and didn’t find one until last week.

As for the poem itself, I probably would not choose rhyming couplets now, but I seem to recall that I was experimenting with them.

The last of the most recent additions is “Moonlit”. This sonnet is even older than “The Forsaken.” I’d seen friends give up on writing dreams, and it made me think about aspirations. I didn’t want to become someone who gave up on possibilities.

The photograph for the background was taken by my friend Stanley Anderson, who graciously allowed me to use it thus. Even though the text of the poem mentions “silvery” color, and the photo has gold tones, I didn’t mind. The image is well worth the slight incongruity between words and image.

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In Praise of Friends – In Memorium – Jack Gilbert

I have been vaguely thinking off and on during the last month that I needed to get back to my practice of writing about my friends. I put it off because I wanted to finish compiling a PDF of all the original entries. But even that project got shunted down the priotiry list. And so I didn’t get anything new written.

This last week, it all came back to me, as I waited, along with many friends, through the sudden last illness of someone dear to us. Why had I not gotten back to this before, I wondered. And why does it take another death to motivate me? All the things I should have said to Jack when he was alive are now said when he is gone.

Jack Gilbert is one of the friends I made through Premise, and he was one of the original members of that fellowship, so that means I’ve known him over twenty years. How time slides by us!

He had one of those quiet, calm demeanors that convey stability and patience and wisdom. And he had all those qualities in abundance. What you did not expect when you first met him was the impish sense of humor that lurked underneath that presentation of reliability.

Unless you met him at a Christmas party, your first sign of that playfulness would be when you parted from him in a parking lot, at the side of his modest, somewhat older car. Jack had personalized license plates, and they read “YODA 1”. That always made me smile when I saw it. At the early (to me) Premise Christmas parties, Jack would arrive with a bow tie adorned with battery powered lights on it, often an elf hat (which somehow he managed to wear with dignity) and an animal puppet that peeked at other guests from the crook of his arm. For all his quiet reserve, Jack enjoyed being around people and engaging with them.

I eventually became part of a regular screenwriters group that grew out of the Premise fellowship. The Writers Forum had been going a few years before I joined it, and I was impressed by its durability. Jack helped make it so: we usually met at his apartment and we relied on his gentle leadership to moderate our discussions. On those occasions when we met without him, when we sat down for the day’s business, our opening question frequently was “Who will be Jack today?”

He was a committed greeter of domestic animals. He greeted cats and dogs as if he were a born member of their community and not a human intruder. And they responded to him as such.

Writers Forum Memorial Day BBQ

 

He was a mentor to many, and a teacher. He was insightful about storytelling. My biggest regret is that I did not nudge him more about his own writing. He felt that he was not adequate, and so did not often put his own work before others. The reality is that although he was encouraging to other writers of all levels of skill, he was a perfectionist about his own work. A harsh one at that, and needlessly, I felt. He was a good storyteller and I should not have let him off the hook.

He loved movies and fly fishing.

He was a shining light of gentleness, courtesy and godliness. A deeply committed follower of Christ, who had no need to proclaim it on the corner, because it infused his every action. He gave his love freely and it was returned to him magnified many times. He was a dear man — valued, precious and rare.

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WonderCon in Anaheim

I’ll be attending WonderCon this year – since it’s “nearby” in Anaheim. I’ll be a little less fan-girl and a bit more researcher. Plus I’ll be selling (or trying to sell) copies of my book at the GLAWS booth.

I will be taking pictures. Should be interesting.

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Visiting Grenada

Back in the January of 1997, I traveled to the island of Grenada with my mother. In the 1960s, after he had officially retired from his post in Trinidad, her father, the Reverend James MacDonald had served the Presbyterian congregation on Grenada for a few years – and had helped found a secondary school on the north end of the island. The current pastor had wanted to celebrate the 30 years of the school’s existence and had invited Mom and my cousin Janet to attend. Mom didn’t want to travel by herself (being elderly) and so treated me to the trip.

My mother and cousin Janet

Mom and Janet

Perhaps it was the connection of the family history to the island, but I really enjoyed the visit. We were there five days. Unlike many other places, Grenada (at that time, and I don’t think it has changed much) was not so high on tourist destinations. It is certainly not a wealthy island. But it has its charms.

I’ve been thinking lately of places I would like to go – if time and money were not considerations. And Grenada is one of those places. It’s a low key place, that I could enjoy at leisure. Sitting on a patio, writing. Maybe explore the island more than we had a chance to do during that short visit.

To get to Grenada, we changed planes in Puerto Rico. The approach to the one commercial airport on the island is over the ocean water. The plane comes in low over the waves, because the runway is so short, the plane has to start braking as soon as all wheels are down. This landing strip was one of the issues contributing to the US invasion of the island – the Cubans had been invited to construct the new landing strip, and Reagan believed it was intended for military purposes. After the invasion, the Americans finished the strip: the island did need it. But it’s a sort of breath-taking landing all the same.

We stayed at a hotel at the south end of the sweep of the beautiful Grand Anse Beach. This is on the Caribbean side of the island, where the waters are calmer and enticing. The Atlantic side has more aggressive waves – but I didn’t have much chance to see a lot of that part of the island. Another reason to go back.

Grand Anse Beach

Grand Anse Beach

 

As you can see, it’s like stepping into a postcard.

According to a 2005 estimate, the island’s population is about 110,000. That’s not a lot of people for a Nation. I’ve attended the San Diego Comic Con for about 10 years now, and last year’s attendence was 125,000 people. It’s a sobering perspective: this tiny island nation has fewer people to make its life happen (farming, marketing, educating, running businesses) than show up in the city of San Diego for five days each summer, crammed into an expansive convention center.

It’s tiny. The capital of St. George’s crowds around the narrow harbor, on steep slopes.

St. George's, Grenada

St. George’s, Grenada

In driving into the town, we went past a couple of schools with well groomed playing fields. Cricket playing fields. Soccer (excuse me, “football”) fields I expected. But the people of Greneda love cricket.

I expect that things have changed to a certain degree since our visit. The island has certainly courted more tourism. In 2007, Grenada was a joint-host with other islands of the World Cricket Match – in a stadium financed by the People’s Republic of China. That’s a little bit of information that doesn’t surprise me. When we drove up to the north end of the island during our visit, we passed a number of construction projects – small things by American standards, but infrastructure building, none the less – that had signs indicating that the projects were financed by … yes, the People’s Republic of China. I looked at the signs and shook my head at the blindness of American foreign policy.

But let’s not get into that topic. I’m waxing nostalgic here, about a place that left its fingerprints on my heart. I don’t know why that is so. It’s such a small place, I wonder how they manage to thrive. Growing spices is their primary industry (although courting tourism has grown, I understand). And because there are so many spices – nutmeg leading the way – cooking is also a big thing. That’s another thing I’d like to get to know better. The food was wonderful.

We drove up to the north end of the island to visit the school named after my grandfather. There’s something really inspiring in seeing the results of an action one of your near forefathers took. Those students were bright and eager to pursue the opportunities their education might make for them. Again, I was struck by the vastly different perspective from what I knew in America. These children considered themselves very fortunate to be able to continue schooling beyond an elementary level. For some of them there was likely to be the opportunity to go off to college somewhere, and perhaps even find a life elsewhere.

When we were driving back down the east side of the island after visiting the school, we stopped in the town of Grenville for dinner. This was on a week day, and we ended up being the only customers for dinner. The seafood was fresh and wonderfully cooked. And because we were the only customers, we got into conversation with our waiter.

It turns out, he was the cousin of the owner (and cook) of the restaurant and was helping his relative out. He was actually college educated, having gone to university in Toronto. He’d gotten a law degree, but returned to the island. He told us that most of the young people who manage to leave the island for school never come back. Given how poor the island is, I could understand that, but the fact that he had chosen to return impressed me. He did have a law practice, and had served in the island Parliament (although I don’t think he was a member at that time). There was a certain strangeness to that idea: a well educated, well-spoken man with a law degree and service in his nation’s Parliament was helping out his cousin by waiting tables in a seafood restaurant. He lost no dignity or face in waiting tables. To me, he seemed even more remarkable for doing so. He spoke so eloquently about his concern for the brain-drain of all those young Grenadians leaving and what that was doing to the future of his home.

The Fort on Grenada

The Fort

 

Perhaps it is that intimacy of the island that captured my affection. It is so small that everything counts. There is no great distance between the person who brings you your dinner in a restaurant and someone involved in the governance of the country.  That smallness of space has nurtured a friendliness that was refreshing to this visitor. And it’s a slower pace of life. You can’t rush on the island, it’s just not possible. It’s very mountainous, so you can’t drive fast. Even though the island is only 26 miles long, it took us over two hours to drive from St. George’s on the south end up to Sauteurs at the north end. Narrow, twisty roads going up and down mountainsides just do not make for fast travel.

So, yeah. I would like to go back some day. I’d make myself a “writer’s retreat” and enjoy the more quiet pace of the island life. I’d sit on one of the benches at the Fort, overlooking the harbor and watch the tourist cruise ships come in, watch the tourists make their quick excursions into the local shops, and then watch the ships sail out again. After which, I’d go to some small restaurant and enjoy a spice-laden dinner of island cooking, while listening to a small local calypso band.

My mother and cousin at sunset.

My mother and cousin at sunset.

And always, in the back of my mind, there will be the memory of my mother enjoying our visit.

 

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