Full Report for Mythcon 42

Back in July, I posted about the beginning of my trip to Mythcon in Albuquerque. But I never did get around to fleshing out the rest of the trip. And then when I returned, I’d written a brief Mythcon Report that saw print in the August issue of Mythprint, and I didn’t want to upstage that.

Verlyn Fleiger at Mythcon 42

Verlyn Fleiger at Mythcon 42

But it is now September, and I feel the time has come for my full Mythcon Report. It can be found HERE, all sixteen pages of it, with pictures (many more than saw print in Mythprint).

This Mythcon Report is actually the first document I’ve created specifically for publishing on the Web. I have been reworking the PDFs of the scholarship pieces, to give them a more polished “magazine” look, but the Report was created to have that look. I’ll be doing this more in the future, so I’ve added a second page to my Bibliography index. The second page will index things created specifically for the Web. In the future, I’ll be listing some longer articles I plan to write in the vein of the analysis I post on the Scribbler’s Guide blog.

As always, I’d be happy to hear from readers.

 

 

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September CAPS Meeting Features Sergio

The September meeting for CAPS featured some intriguing videos.

First up was a silent film featuring noted cartoonists from 100 years ago. One of the special aspects of it was not just watching the cartoonist draw while being filmed, but also some of the earilest animation ever done for film. Individual drawings done of the cartoon characters, and each shot, frame by frame. We marveled that the image matching was all done by hand, without light box, and all the wonderful tools we have now. It was also noted that the slight coloring in the animation was tinting done directly on the film by hand, sincer there was no color film at that time.

Next up was a documentary from the 1940s about newspaper comics strip artists, with the “gee, wow” narration that was typical of the newsreels. Also amusing was that all the gentlemen were shown wearing shirts and ties. One of the CAPS members quipped, “Oh, that’s what we’re doing wrong! We’re not wearing ties when we work!”

The highlight of the evening, though was a video interview that Stan Lee did with Sergio Aragonés in 1991. There was some amusement at Stan’s methods of expression, but listening to Sergio describe his early career was fascinating. And then Stan had Sergio do a number of quick sketches as they discussed things like expressions and knowing anatomy.

 

After that video (which was nearly an hour long), Sergio answered questions – about the experience of being interviewed by Stan, filling in biographical things skipped over in the interview, fleshing out some of the stories that didn’t quite come through clearly in the video.

Sergio night at CAPS

Sergio Aragones

Sergio remains one of the most charming and delightful people you could possibly meet. After listening to him talk like this, I’ve come to conclude that his ability to continue drawing some of the funniest cartoons in existence is that he takes such joy in life. He doesn’t take anything for granted, he is totally interested in what is around him. It’s an honor to know him.

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Family Comes Visiting

On Sunday, my brother David and his wife Shirley drove into Los Angeles for a quick visit with me. They live in the Philadelphia area, but this year planned a driving vacation of the Southwest. They flew out of Philly on Saturday morning, getting out of town ahead of the arrival of the hurricane. After enjoying a visit to the dam, and a few other Vegas charms, they drove to L.A. I expected the drive would last a bit longer than David anticipated, so I wasn’t too surprised when they arrived well after the target time of noon.

David had said that he wanted to see the Reagan Library, so after they had rested a bit at my apartment, I got into their rental car with them and we headed out to the far reaches (otherwise known as Simi Valley). The day was lovely and so the whole of the Greater Los Angeles area was showing off for them.

I will admit that the location of the Reagan Library is indeed spectacular. It is beautifully designed and brilliantly placed. I, rather stupidly, did not recharge my camera batteries the night before, so I ended up taking only three pictures during their visit.

Shirley Beach at Reagan Library

Shirley

 

I had hoped to get more of the scenery in the background, but I was happy enough to get a picture of Shirley.

Inside there were live-sized bronzes of President Reagan and his wife, obviously positioned for visitors to pose with. So David did that.

David poses with the bronze Reagans

 

Because we had arrived rather late in the afternoon, after we’d seen about the first quarter of the museum, the museum employees recommended we go straight to the Presidential airplane pavillion. And it was worth it.

First, you come to the end of a corridor, and there is this huge chamber, one wall of which is hundreds of panes of special glass, giving an incredible view of the valley outside. And in the middle of the space (carefully stationed on well designed stanchions) is the 707. It’s the first airplane actually built to be the Presidential aircraft, rather than just converted to that use. You walk all the way around the chamber, in order to enter the plane by the front door. You can look out the cockpit, and the view of the valley with the slight upward angle of the placement of the plane gives you the impression of having just taken off. Very well thought out. You then work your way through the body of the plane, past the President’s compartment and the First Lady’s, and on through the rest of it. We have gotten so used to the images of the larger 767, being in this one surprised you with its near-claustrophobic conditions.

It was nearly closing time, by the time we got out of the plane. But David and Shirley were happy with the whole. We where gently shephered out by the employees, along with the other straggling visitors in the museum.

Once outside, we took some time to admire the building and the view.

Reagan Library

Exterior of the Reagan Library

 

This is only part of the complex. That seeming flat, free-standing pillar in the background is actually a section of the Berlin Wall.

After enjoying the views and the now-cooling breeze, we got back in the car. I guided them to the Topanga Canyon Blvd, and we then traversed its length from the 101 down to the ocean. In all the years I’ve lived out here, I’d never driven it, so the drive was new to me as well. A twisty, turny route, to be sure, but lovely. And now I understand the desire of the canyon residents to protect its current state and discourage further development. The natural beauty is worth protecting, but the canyon is also so narrow and steep, it is difficult to imagine how it could be developed without destroying the very thing that makes it desirable, its beauty.

I had made reservations for us at Gladstone’s on the beach in Malibu for 7 p.m., and we arrived at the beach about 6:30. After my brother indulged his photographic impulses, we waited a bit for our table – a booth by the window. Happily, our dinner was accompanied by the slow drawing-on of sunset, with the seabirds cavorting on the waves, dive bombing into the incoming tide. It delighted Shirley and David, and I was happy I’d had the idea for it.

And the food was great too.

It was dark by the time we finished dinner, and so they drove me back to my apartment. They needed to get to their hotel east of downtown, for Monday morning, they would head out on the I-10 on their way to Sedona, Arizona and the rest of their trip.

It was good to have the time with them. The last time I’d seen them was in 2008, when I visited the East Coast. I wish they could have stayed longer. But it was good enough to be sure.

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Talking about Green Lantern

Hal Jordan, Green LanternI’ve been in a lot of discussions in the last month or so about the Green Lantern feature film that was released this summer. And since I’m one of those people who sits in the crossroads of comics and movies, I hear a lot from both sides of the reactions: film folk who consider it a mess and comics fans who are happy with just seeing GL up on the big screen.

For me personally, I’m not so deeply invested in the Green Lantern mythos that I can’t get some distance from it. Hal Jordan is “my” preferred GL, but that doesn’t mean I’m not interested in the others. (Others? ask the general audience. Oh, yes, say I, others. Guy, and John, and Kyle, and Scott, not to mention the off-world ones.)

 

Several years ago, before the current Green Lantern film was even in pre-production, even before Geoff Johns had taken on writing the Green Lantern comic book, I had heard stories about the attempts at Warners to develop a GL feature script. I had heard that there had been something like 17 attempts at it. That’s probably 17 scripts the studio paid to have written. And apparently, none of them worked.

I thought about all the problems that would be inherent in making a GL film. Production costs for the special effects was one big stumbling block that I could see. I suspected that too many of those attempted scripts “went cosmic” (as I called it) early in the script, sending the production cost skyrocketing.

scribblerworks-green-lantern-kilowog

It also seemed to me that the studio would have to assume that the greater part of the movie audience would not be familiar with the Green Lantern character and mythos. So, a certain amount of exposition about these things would need to be done in the first film featuring the character. The audience would have to learn about the mythos along with the main character.

So, just for the fun of it, I decided to try my hand at writing a Green Lantern feature script. I wrote about a third of my intended plotline and then stopped. There were other projects I was working on that were more professionally useful.

But since the release of the GL film, I’ve seen a lot of discussion back and forth about the movie’s flaws. Well, argument, actually. So, even though this piece of writing was never intended for general exposure, I’m going to post it on my website now. Just so I can have a reference when I get into discussions about the GL film. I’ll be able to point to what I mean about what I think would have been better choices.

READ THE SCRIPT HERE

NOTICE: this is presented merely as a writing sample, and should be treated as being similar to fan-fiction. The characters (other than Stephanie Taylor, who is original to me) belong to DC Entertainment

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The Creature Greets a New Resident

The Creature doesn’t think the latest addition to the household is very sociable. He finds the Red One downright Angry, in fact.

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CAPS After-Comic Con Potluck

CAPS (Comic Arts Professional Society) held its “After-Comic Con” potluck last night, enjoying food (plenty of chicken was available) and conversation. With sundry other treats – such as Sergio giving out copies of the first issue of his “Funnies” magazine, and Alfred E. Newman MAD cardboard masks.

CAPS potluckCAPS potluck

 

 

 

 

CAPS potluckCAPS potluck

As you can see, we’re just a truly wild bunch here.

After we’d dined, there was discussion of how things went for members at the San Diego Comic Con this year. There was a bit of dissatisfaction with recent changes in the con experience. But Sergio reminded members that the convention ought to be treated as a business occasion, contacting publishers, looking for possible business contacts for expanding the audience for creators’ characters.

The discussion moved on to changes in the business, and what the increase in the digital market may mean. It became a more general and free-ranging discussion.

Over all – a pleasant night out, with food for body and thought.

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The Creature Oversees Script Revisions

The Creature was very happy when I finished script revisions the other day. “About time,” he said. He is such a nag!

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The People of the Lie in the City

THE PEOPLE OF THE LIE IN THE CITY: SPIRITUAL DEVELOPMENT IN ALL HALLOW’S EVE presented at Mythcon 28, Malibu, California, August 8-11, 1997.

All Hallow’s Eve, although the last of Charles Williams’ novels to be published happened to be the first one I read. One of the main characters is a painter, and the spiritual response to art is a major factor in the story. Since in addition to writing, I am also a visual artist, this story resonated with me very strongly.

All Hallow's Even by Charles Williams

All in all, the story in All Hallow’s Eve continues to keep a hold on my imagination. The situations the characters are in and the issues they have to deal with remain significant ones to me. I find Williams’ storytelling to be deep and rich, always ready to be plumbed a bit more.

M. Scott Peck’s discussion of spiritual development also intrigued me. He, as a psychiatrist, was of course interested the the psyches of real people. I, as a writer, found his observations on the interactions of people at different levels of spiritual development useful in the construction and interactions of fictional characters. I could see the possibilities of his observations for literary analysis, and this paper was my first use of his work for that purpose.

I eventually adapted his observations for creative purposes, and included that material in The Scribbler’s Guide to the Land of Myth.

READ THE PAPER


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“New” Paper Uploaded to Website

I have just added a “new” paper to the ScribblerWorks website, one I gave at Mythcon 28 in 1997. “The People of the Lie in the City: Spiritual Development in All Hallow’s Eve” uses a descriptive methodology found in the works of M. Scott Peck. I adapted it to literary analysis in this paper, and would later expand on it for The Scribbler’s Guide to the Land of Myth.

All Hallow’s Eve was the first novel by Charles Williams that I read, and it remains my favorite. It resonated with me in two powerful ways: first, it described the effect of artwork in a way that (for me) perfectly caught what any artist desires to happen in the viewers of a work, a special sort of engagement and enrapturement; second, it described the spiritual dimension in a way that “felt right,” in a way similar to how I (in a small way) experienced it.

I hope readers of the paper will be inspired to give the novel a try as well.

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The Creature is Released from Travel Protection

The Creature is released from his travel protection. “Free at last! Free at last! Thank God Almighty, I’m free at last!”


(I think he’s over-playing it, but I’ll let it ride, since he’s been wrapped up for two weeks.)

It turns out the Creature is getting quite a following over on Facebook. He had a whole string of adventures and interactions at Mythcon, such that I may have to make a separate page for them on the ScribblerWorks website.

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