Long Beach Comic Con 2010 – Saturday

Saturday morning, I headed back down to Long Beach. Again, the easy atmosphere was very pleasant. Mind you, I actually enjoy the high-energy intensity of the huge San Diego Comic Con. But the runners of the Long Beach convention have wisely chosen to keep a local feel and easy-going attitude.  On entering the lobby of the exhibit hall, I noticed that one of the cosplayers dressed as a Rebel pilot was accompanied by a full size R2 Unit.  I’m afraid that the R2 got more attention than the human.

2010 Long Beach Comic Con R2 unit

 

Once into the hall, I went by the Golden Apple booth, to greet my friends there.  Sharon Liebowitz was in the spirit of the holiday weekend with a headband adorned with bobbing pumpkins.

Golden Apple's Sharon Liebowitz

Sharon Liebowitz

In the exhibit hall there were lots and lots of tables for the Artists Alley (the shrinking of Artists Alley at San Diego has been cause for some grumbling). Not only plenty of tables but also plenty of space on those tables.

I did a quick round of picking up some action figures and some books, so I’d be sure to get them before they were gone. I then deposited them in the trunk of my car on my way to the programming in the other building.

My first stop on this day was a presentation by writer Mark Sable, titled “Writing for Comics, TV and Film: How to Break In and What To Do When You Get There.”

2010 Long Beach Comic Con Mark Sable

Mark Sable

 

Mark talked about his varying experiences in comics and television, as a way of giving the aspiring writers an idea of what they might face in breaking into the businesses. But he made a point of saying that there is no one way to break into any of the businesses. The important thing is to write well.

I followed this by sitting in on the “50 Questions in 50 Minutes With Mark Waid.”

Mark Waid at 2010 Long Beach Comic Con

Mark Waid

 

Most of the questions had been collected from the Comic Book Resources boards, but every few minutes some spontaneous ones were taken from the attendees.  And in the midst of it too, a professional trumpeter was called in to play the fanfare from the original Superman movie.  Mark liked it so much, he asked the trumpeter to come up to the panel table and play the opening again – so he could record it to become a ring-tone for his phone!  There were a few questions about his Boom! books Irredeemable and Incorruptible which got some very interesting answers from Mark.

After that amusing hour, I moved on to the “Girl Power!” panel.

Girl power panel

2010 Long Beach Comic Con
Girl Power Panel

 

The panelists above (left to right) were: Lillian Diaz-Pzrybyl, Haven Alexander, Brandii R. Grace, Barbara Randall Kesel (partly obscured by the microphone), and Joelle Sellner.  Sadly, there were more males in the audience than females, but that didn’t stop a lively discussion of what women run into in the comics business.  Certainly, one of the major obstacles has been that women don’t always get taken seriously.  Joelle mentioned how she writes action, but in one company it was suggested that she write romance comics.  Because she was a woman.  Even though she prefers action. There was also the discussion about how in both comics and the film/television businesses, there is a reluctance on the part of the Power Brokers to develop stories with female main characters.  Even in this day and age.  And then, of course, those same Power Brokers wonder why women don’t go see the movies or buy the books: “Oh, well.  Guess they aren’t interested in comic books or action movies.”  The fact that the Power Brokers won’t let writers put out female characters that women can actually respect does not seem to register with them.  But I don’t want to create the impression that this was a bitter panel.  It was not.  It was, all things considered, upbeat and full of humor.

After that panel, I followed Barbara to another room, where she was going to be “interviewing” Howard Chaykin, in a bit of programming that was added late and didn’t get much hype.  The result was a small audience, but it made for an interesting hour.

Howard Chaykin and Barbara Randall Kesel

Howard Chaykin and Barbara Randall Kesel

 

The relaxed atmosphere encouraged amiable racounteuring – which Barbara began by describing how Howard had rescued her from the icy waters of the Snake River when a bunch of creators where riding down it in a zodiac boat.  Humorous anecdotes aside, one of the most important things that Chaykin spoke to was the need to regard the job of writing as a job, one that required professionalism and a commitment to do the job as well as possible.

Last up for the day was the always entertaining Jimmy Palmiotti, talking about protecting your intellectual properties, and getting them recognized in the marketplace (not just with the audience, but also with publishers and production companies).

Jimmy Palmiotti

Jimmy Palmiotti

 

Jimmy illustrated points by relating some of his experiences with properties, shuffling titles and character names because of possible conflicts, keeping track of rights.  In some ways, getting the points hammered home by way of anecdotes helps make the straight-up facts of the business clearer for the aspiring storytellers.

All in all, a good day at a convention.

And then I had to drive home, and (because of a couple of freeway accidents I didn’t know about until later) had the longest drive back to Hollywood.  An hour and a half.  I was quite ready to get out of the car when I got home.

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Long Beach Comic Con 2010 – Friday

So I drove down to Long Beach for the 2nd Annual Long Beach Comic Con. It has proven to be a very laid-back and pleasant convention. Although this year, the programming for the con is outside, around in another building, a bit of a walk. I deduced that although nothing else was happening in the convention center today (Friday), the rest of the weekend there will be some other (larger?) convention happening, and they had gotten the program rooms in the same building as the exhibit halls before the LBCC did. Oh, well.

The happening was launched with a bit of a ceremony, in front of a large figure of the Hulk, complete with torn t-shirt.

2010 Long Beach Comic Con opening

 

Barbara Randall Kesel had taken a booth, in order to give portfolio reviews to anyone who wanted one. Now, I’ve done some small amount of editing of some comic book projects. And as an artist (though I say so myself), I’m not without talent. But I was awed and humbled watching her give reviews to aspiring artists.

Barbara Randall Kesel

Barbara Randall Kesel at her booth

 

She does, of course have plenty of practice at the art of critiquing sequential art. But it was impressive not only for her ability to spot just what was throwing a particular panel off balance, but also her ability to communicate this to the artist without crushing him with hopelessness. And these were talented artists seeking her feedback.

I had wanted to observe this process, partly to sharpen my own skills at editing in this medium, and partly because I’m about to launch myself into a 12 page comic story which I mean to do the art for myself. The pointers she was giving these artists were being soaked up by my brain and stored away.

Wandering around, I stopped by the tables in Artist Alley to hobnob with a couple of friends. There were various toy dealers with sundry temptations, things you might not find in a more “usual” place.

And then a had a couple of discussions with my friend Tom Waltz at the IDW booth. Tom is one of their “distinguished” editors, as can be seen in the following picture.

IDW editor Tom Waltz

Tom Waltz

 

(Actually, the bug-eyes headdress were imposed on him by a co-worker. He was a good sport about it.) We chatted about some upcoming offerings from IDW, mutual friends, and things I might possibly be able to pitch to the company. It was a good conversation, in that it gave me a couple of ideas to work on.

I decided to go across the street to the Islands restaurant and have some dinner before getting back on the freeway to Hollywood. I enjoyed my burger. Then just as I was getting ready to depart, my friend Marcus Perry (writer/director of the kick-ass short flick Razor Sharp) came in with a friend of his and sat down. So I joined them for a bit, to catch up on what he’s been doing (still trying to get the feature version of RS off the ground). And in my half of the “what are you up to” session, I tested the premise for the pilot spec script I’m working on, as well as the story I’m doing for that 12 page project. It’s really satisfying when a writer friend you respect likes your ideas (which he did).

So, for a mild, laid back beginning for me, the first day of the LBCC was a good one!

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Website Tweaking Continues

Yeah, I know. Posts about the progress of things “behind the scenes” are usually boring. And yet, there’s this compulsion to let people know what all is going on.

I’m slowly revamping all the pages of the website: the navigation bar is being replaced, for one thing. It may look like the site is built with a frame for pages, but the reality is that the header is actually embedded in every page that is not a PDF file. This makes for a lot of work when the changes are not a simple change of a jpeg file (which was the case of the logo itself). Also, some of the urls are being changed slightly, so that has to be checked. It takes time.

However, things I can point out, in addition to the wonderful new Reviews blog which is now up and running, are the introduction pages to the various sample scripts, linked from the Works page. And added to that page is also the title of the paper I presented at Mythcon last summer (“All or Nothing: The Tendency for Dualism in Apocalyptic Fantasies”). A revised verion of my Biography can be found from that link (Now! With Pictures!). I may add a gallery of pictures from my growing up, down the road, as I get old photographs scanned. But that’s a very low priority project.

One of the other things I am working on is redoing the poetry that is currently posted online — finding new/better backgrounds, redoing the lettering. These are actually prepared as images, so the text of the poetry is actually incorporated into the final image. I’m still learning some of the finer points of working in Photoshop. And in conjunction with that, I’m hoping in the next week to be able to post the new color scans of the Christmas card designs. I’ll also be (yes, at long last) setting up that long promised Zazzle store — and some of the Christmas designs will be made available for products, like T-shirts, mugs and such (though not Zazzle cards – as the designs were made for a particular type of card stock, I’ll continue to market those myself). Look for further announcements.

Upcoming things: CAPS this evening, the Long Beach Comic Con at the end of this month, LosCon in late November. Hey, I may even remember to take pictures!

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Robin Hood and Green Arrow

The linked PDF file is the original text of the paper I presented at the First International Conference of Robin Hood Studies, held at Rochester, New York in October 1997.

Russell Crowe as Robin Hood

Russell Crowe as Robin Hood

The conference itself was a fun weekend for me. My experience for years of literary conferences had been annual excursions to Mythcon. So it was interesting to step out of the comfort zone for this conference. The theme was about how Robin Hood appeared in and impacted popular culture (which became the title of the volume that contains an edited down version of this paper, Robin Hood in Popular Culture, edited by Thomas Hahn, published in 2000).

“Robin Hood and Green Arrow: Outlaw Bowmen in the Modern Urban Landscape” was written at a time when in the realm of the DC Comics, the character Oliver Queen, known as Green Arrow was dead. But in comics, characters don’t always stay dead, and such has been the case of Oliver Queen. He’s back in action, pretty much carrying on the same way as before, except that as of April 2008(when I initially uploaded the paper), he’s finally married his “Maid Marian”, Dinah Lance, the Black Canary. Update (June 2011): As with so many things in comics, they let the Dinah and Ollie relationship crash, so the pair are once again split.

scribblerworks-green-arrowUpdate (May 2016): Green Arrow has moved into new popular culture territory in recent years with the television series Arrow. The show has made certain variations in the comic book “mythology” of Oliver Queen, but the character remains an archer crime-fighter working outside the law enforcement structure.

GO TO THE PAPER

 

 

 

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Copyright Infringement versus Pirates

(I previously posted this on Facebook in a note. But it bears repeating.)

There’s an online organization out there fighting the Combating Online Infringement and Counterfeits Act (COICA), calling it *gasp* CENSORSHIP! They are out of their minds: the act in no way infringes anyone’s ability to say anything. It DOES infringe on the ability of PIRATES to make money from advertising on their sites filled with stolen COPYRIGHTED material! SUPPORT THIS BILL!!! IT IS A GOOD THING FOR ALL CREATIVE PEOPLE!

One of the things the bill would do is levvy fines against advertisers who buy ad space on sites that host STOLEN/PIRATED copyrighted material (streaming copyrighted movies, torrent comic book sites, etc.). Because just going after the site owners for copyright infringement has not stopped the practice. The pirates Do. Not. Care. what the actual content of their sites is. They only care that it’s something that a lot of people want “for free”, without bothering to pay the creators/copyright owners a penny. Because NOT ONE CENT of the money these site owners make from the advertising slots goes into the pockets of the creators.

I have see idiotic comments at various sites about how artists should be THANKFUL that their work is getting such a wide audience because of the pirates. But DON’T DELUDE YOURSELF — those artists are NOT getting one red cent out of it. Think of all the hours they spent creating these works of art (be it film, music or comics). TIME IS MONEY! They have every RIGHT to expect to make some money back from the commercialization of their work. They don’t live on air, after all! They have groceries to buy, rent to pay, health insurance to cover (if they can get it), cars to gas up — just like everyone else. Think about how much money YOU spend on these daily things, and remember that the musician, the writer, the filmmaker, the comic book creator, those folks have the same expenses, and creating the works you enjoy is THEIR DAY-JOB! NOT a “hobby”, not a “side line”. The creation of these works is their PROFESSIONAL activity. They deserve to be paid for it.

But there are some dink-heads out there that believe that actually paying people for their copyrights is somehow an infringement of free-speech. WHOSE “free-speech”? Anyone who posts copyrighted material WITHOUT permission (or paying the copyright owner) is NOT posting their OWN speech! They’re posting SOMEONE ELSE’S — without verifying that the actual owner of that “speech” WANTS the material put forward that way. Are you getting it yet? NOT THEIR OWN SPEECH! AND THEY’RE NOT PAYING FOR IT! But they sure are making money off it, you betcha!

PLEASE: SUPPORT Sen. Leahy and his co-horts on this Bill. This is a GOOD THING, and we need it.

Independant filmmakers lose thousands of dollars they expected to make back on the cost of their films, money they have every RIGHT to earn: when their pirated film gets downloaded by many many people, the filmmaker does not make one cent. And once some person who is careless about illegal downloads has a copy of this wonderful independant film, do you REALLY think they will spend the money to own a legitimate copy from legal sources (where the filmmaker will make a few cents for every dollar he spent making the film)? It won’t happen. The same with comic books: pirate downloads do NOT lead to legit sales for the writers and artists.

I’ll stop ranting now. I hope I’ve made my point. Do not be decieved by those who are crying out that this is CENSORSHIP! It’s no such thing!

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Pay Attention: Going after copyright pirates

Senator Leahy is introducing a bill going after copyright infringement.  This is serious stuff.

Colleen Doran on her blog, FOUND HERE, has spoken to congressional persons about this issue recently, in support of this bill. She’s posted the whole text of the bill. She is an ardent advocate in support of creators’ rights issues (as noted in my post about WonderCon).

Pay attention, because if you write or paint/draw or compose, you want to be able to have control over how your works go out to the audience, and how much compensation you receive for that.

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Website Update – September 23, 2010

I’m in the process of doing a complete retweak of the ScribblerWorks website.

A new version of the Scribble Logo has already been replaced on all the pages of the website.  A cleaner look for the navigation and copyright information is being put in place.  Some editing and correcting of the static pages is being done.

I’m not really deleting anything — except the static review pages.  I’m replacing those with a new WordPress blog, which will make adding new reviews MUCH easier.  And the blog will be able to much more easily index the reviews multiple ways: you will be able to see a list of everything I tag “Recommend” or everything I tag “Bomb”, for instance.  There will be categories for Fiction, Non-Fiction, Writing Books, DVDs (including Blu-ray, with tags for Movies or Television Series). 

I’m really pleased with the Category and Tagging options, because I will now be able to put my reviews of comic book issues on the same blog as the more permanent book reviews.  Once I have all the old reviews transferred, I will start adding new reviews, including the comics — and I will make the review blog available to search engines (they are currently blocked while I do the set-up work).  Also, once it is all up and running, I will no longer be posting reviews on the MySpace blog.  That’s because I hardly ever check in on MySpace any more.  I’ll inform the readers of that blog of the change-0ver and hope they’ll come to the ScribblerWorks site.

I will also, soon, at long last, be setting up a Zazzle Store.  Not only will my little Scribble logo be available for products (if there’s anyone out there besides me who would be interested in that), certain piece of my artwork will be available in prints and on products.  I am jazzed about all these changes, after having the plans for them in my head for a long time.  I hope friends and other interested parties will like the changes as well.

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Organ Concert

The pipe organ at Hollywood Presbyterian Church has been undergoing some repairs.  It still needs some more, but some of the most important ones have been completed.  This more-or-less coincided with the 25 anniversary of Dr. Kimo Smith’s joining the church staff.

When I joined the Music & Worship Committee three years ago, I’d felt that in addition to the organ repairs, it was important that we make an opportunity for Kimo to have a concert.  He is an excellent musician, and ought to have an occasion to show that off outside the requirements of the worship service.

So, it was a pleasure for me (now that I’ve rotated off the committe – for now) that Kimo’s anniversary concert occurred yesterday.  It was Kick-Off Sunday at the church, the start of the new year of activities.  (Everyone calls him “Kimo” by the way, not Dr. Smith.  He has that friendly, accessible nature.)

Kimo Smith plays Hollywood Pres organHe made an excellent election of pieces for his concert.  Including the famous Toccata and Fugue in D Minor by Bach — that ominous sounding thing that gets used for scary movies (and, as he noted, the Haunted Mansion at Disneyland).  It was nice to hear that piece, played live, so that you can feel the deep, powerful vibrations from the Big Pipes, and to hear it all the way through.

 

He also selected – for fun, he said – three preludes based on traditional German choruses, that were arranged by a modern German composer, in jazz variations.  He played through each basic chorus, with standard stops (that is, the selection of which types of pipes), and then the jazz arrangement.  It was a delightful brain-stretcher to have sacred music presented in a jazz form.

Kimo Smith organ concert

 

(These pictures were taken with my cell phone camera, so they’re not the greatest quality)

He took the time to introduce and explain each set of pieces he would play.  This would also give him a chance to stand up and stretch after each bit of exercise.  My mother was an organist, and I was well aware of the kind of work-out he was getting.  The concert ran a bit over an hour, and he was playing for most of that time.  The instrument at Hollywood Pres has three hand keyboards, plus a full pedalboard.  So in addition to the coordination needed in moving his hands from keyboard to keyboard (the multiple keyboards allows for different arrangements of stops, which makes for different sounds, as the pipes vary in shape and materials, imitating the sounds of different orchestral instruments – flutes, brass, reeds).  But an organist is also playing similar keys with his feet, which sound the biggest pipes in a pipe organ (16 feet long, for instance, all vibrating with sound).

He stood there in his suit, wiping his brow with a handkerchief occasionally, looking very dapper.  But I knew the amount of work involved.

This following (blurry) shot of the “front” pipes of the Hollywood Pres organ —

Kimo Smith on Holllywood Pres organ

 

The pipes you see here are just one stop.  Well, two, actually, as the pipes that are arranged horizontally in the middle up there (not sure if it is clear), with the open bell at their ends belong to a different stop than the tall straight tubular ones.  These here are arranged for looks, although their narrow lower ends are all seated in their wind-boxes, where the air is brought to each pipe.  And each pipe is just one note for one stop.

In the chamber behind them – in large separate “boxes” to keep their sounds more clearly separate from each other are the rest of the ranks of pipes.  All the white tabs on the two side panels of the organ console are for the various stops – so you can see just how many sets of pipes are involved in an instrument of this size. (Briefly – a LOT.)

I come by all this information, not just because my mother was an organist.  One summer, when we were still living in Michigan, my father bought a pipe organ (from a church that was getting a new instrument) for my mother.  His intention was to assemble at least part of the organ in our house, for Mom to have and play.  A good portion of the summer was spent moving the pipes from their old home in the church in a Detroit suburb to our house in Jackson.  The ranks and ranks of pipes took up residence in the basement and the garage.  They were fascinating — the wooden, squared off reed pipes, and the metal tubular flute pipes.  You could pick up one pipe and blow into it — and then you discovered just how much wind it took to sound the organ pipes! (Meaning, a lot.)

That experience has made me extra conscious of just how special an excellent organist is, especially one who knows and understands the pipe organ.

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Road Trip 2010 – Part 2

(Originally posted on LiveJournal)

Mythcon was lovely! And Co-chairs Jason and Randy did an excellent job pulling it together. It was so great, in fact, I’m going to save everything Mythcon for a post (at least one) of its own. In the meantime, I’m going to continue describing the rest of my adventures of the Road Trip 2010.

After Mythcon was over and we had recited our pathetic few complaints via the Drunken Hobbit Song (a sign that things had gone very, very well and there was little controversy), I got in my car and headed northward on US-75. I had loaded my bags back into the car before breakfast. There was a brief period of anxiety as I was getting ready to go, in that I couldn’t remember where I’d put my Bose headphones – I was afraid I’d lost them (but they were actually in a carry back with the book purchases I’d made at Mythcon – whew).

John Morgan Neal

John Morgan Neal

I was on my way to Sherman, Texas first, to visit a friend. John Morgan Neal (creator of Aym Geronimo), has been an online friend for over a decade, but we’ve never met before. He got to show me his true fanboy Trekker side at his place, with all his Trek oriented knick-knacks. I also got to meet his cat, Bootreer Float, and she was very sociable and sweet. And shedding like crazy – heh. John and I went off to have a very nice Italian lunch at a local restaurant, and we had a good time talking writing. We could have probably whiled away the whole afternoon, but I had more road ahead of me for the day. So I returned him to his home and was rolling again.

My end destination for the day was the home of writer/artist Larry Dixon and his wife Mercedes Lackey – in the countryside of Oklahoma beyond Tulsa. I’d never driven that part of Oklahoma before. Somehow my picture of all of Oklahoma had been more “plains-ish”. But the reality is rolling countryside, with much forestry. The trees seemed more scrub-short to me, but then my standard is the tall trees of Michigan. But it was beautiful to drive through, especially on the well-kept toll-road sections.

I arrived at the destination easily enough – but then I’m rabid about maps, and had multiple versions of Google maps in various scales of all my destinations for the trip. Anyway, the property is truly unique looking, but suits the residents. Larry showed me his Pantera (which he is having to part with). I love the look of the car, but I’ve always wondered how one sees out the back. He laughed at me and observed that when you’re in a Pantera, looking back is not an issue. And when he showed me the engine, it’s obvioius why. I laughed and asked if one is suddenly 80 miles down the road when the accellerator pedal is breathed on. Pretty much was the answer.

Larry Dixon

Larry Dixon

He then lead me into his studio, where he does his artwork and writing. Quite the set up! He fed me while we talked. Then he gave me a tour of the grounds – and introduced me to Misty (who was apparently working, so we didn’t interrupt long). They have many birds of the parrot family – as Larry said, it’s a noisy house, but a happy one. Outside, in their own pen, they also have pea-birds. One peahen has four chicks – who at the moment are still so small that they pop in and out of the fencing. The whole area for these birds had fencing above and around (keeping out predators) with wooden fencing around the birds’ compound. There were two peacocks lurking in the shrubbery, although only one was out where I saw him. He did not try and impress me by spreading his tail, but he was holding his head up high, showing off his jewel-toned neck. Larry’s Great Horned Owl Cheyenne was not at home at present as he’s having a mews built for her – she’s boarded with his falcon-master at the moment. After the owl’s adventure earlier this year (stolen then released to the wild – where she doesn’t know how to cope – and then, miraculously recovered), I’d hoped to meet her. But maybe on another occasion.

Larry and Misty are very much night people (they have a note posted on their front door that the residents are “day sleepers”). Me being heliotropic made for an odd mix, but I still had a nice visit. I also got to watch a bit while Larry and Misty played the online RPG City of Heroes with his father and cousin. His dad is in his 60s and an ex-commando and serves as leader of their team. His dad lives in Vegas, and I forget where he said his cousin lives. But they get together most nights for some rounds of the game. It explains so much Larry’s often slow response when I ping him on AIM to chat in the evening.

My visit was short, but worth the jaunt up into Oklahoma. It was nice to meet them face-to-face at last. When I got up in the morning they were all wrapped away in their sleep. I drew a thank-you note … a gold dragon before a dark griffon (griffons are Larry’s thing – his nickname being the Gryphon King), colored with my Faber colored india ink pens. It took me about an hour to do, sitting in the car in the morning sun. I clipped it to their door and then set off. I did check with him that evening that it had not been lost, and he decreed that it was a keeper (in spite of it being my first attempt at rendering a griffon). I wish I’d remembered to take a picture of it!

Back through the rolling ground of Oklahoma again, being semi-amused by the signs by the road that said “Do not drive into smoke”. For someone from California, where wildfires are an annual concern (we have “fire season”), the signs intrigued me. But given how heavily wooded Oklahoma is in comparison to California, I imagine the warning is very important. Anyway, my night’s stop was in Plano (a suburb north of Dallas).

Wednesday, I set out for Fort Worth, to visit another friend, a prayer partner. She had just moved to Fort Worth from Arizona, and this would be the first opportunity we’ve had to meet face-to-face. Cindy has been praying for me for… oh, about three years, and her support has been great. She was especially sensitive during the period where my Mom was failing – and in fact called me on the very day Mom died, before the news came to me. She had felt especially prompted to that day, and I was very touched by her action – the waiting had been very stressful, and to have her pray on the phone was very comforting. Anyway, our visit in her new home was a wonderful time of fellowship. I wish I could have spent more time with her.

From Cindy’s place I set out for Odessa, Texas. The north Hill Country was a very pleasant drive. The rolling sweep of the landscape was fun to drive. But eventually I hit the plains, which are flat-flat-flat. In every direction. And mostly the road runs straight on. It gets hard on the eyes because there’s no variety to look at. That and the fact that I was not drinking enough water ended up making my eyes tired and dry. And when I arrived in Odessa, Google maps failed me, planting my hotel on the map in the wrong place. But since I also had the street address, I eventually got around to the right location (the streets there are also weirdly laid out – but at least I had a map).

Odessa, Texas

Odessa, Texas

I got rolling again early the next morning, since the Odessa to Tucson leg would be my longest one. More of the flats of West Texas – mesmerizing in a bad way. I stopped a couple of times for short cat-naps because it was hard on the eyes. Strangely enough, if your eyes get tired, you get groggy. Happily about the time the I-20 meets the I-10, the landscape changes to rocky hills, and roads that curve around slopes and up and down valleys. I ended up on the road about 12 hours by my watch, although that included at least two half-hour stops and a handful of shorter breaks. But I reached Tucson safe and sound.

I’d chose a hotel near the airport, so I didn’t have to drive the city rush-hour traffic. Actually, given time zone matters, I’d gotten there well ahead of rush hour. I pulled into the hotel property very tired. I checked in and was given a room around one side. So I moved my car to the entrance nearest my room. I got out my wheelie and the computer bag, and headed into the hotel grounds…. and found steps. By now, I’m really tired and stiff, and I have to haul my wheelie up about six steps just to get to the courtyard. Steps that were not indicated on the cute little grounds-map given me at registration. Frustration time. But I got up the steps, and up to my second-floor room door (fortunately there’s an elevator for that). And I inserted my key-card. It didn’t work. Tried again. Still didn’t work. Tried the second key-card. Same thing. Multiple times. By now, I’m not only hot, tired, sore, thirsty — I need to use the restroom too. So, no surprise that I hit the “tears of frustration” stage. I call the front desk from my cell phone to say that the keys don’t work. They sent someone up – he was very nice about it. And yup, my key-cards didn’t work. He let me in with a master key, took my key-cards and went and got a new set. Meanwhile, I was just glad to be able to sit down and stretch out. I had, happily, booked myself into a suite-hotel, so having the space was VERY comforting after the day’s drive. When he returned with the new key-cards, they too were problematic. He tried cleaning the lock with a thingee they use, but it only helped a little bit. But since I wasn’t going out it didn’t matter. I ordered dinner from room service – not caring about the price on this occasion. The food was good. I relaxed and got plenty of rest.

Today, I shall stop and see some friends in Phoenix on the way to LA. And hopefully arrive home at some reasonable hour.

Not that the month’s adventures are over after that…. I have a busy weekend ahead of me, and then down to the San Diego Comic Con on Wednesday. Hopefully, I’ll have caught up on my rest for that.

All in all, it’s been a very good trip for me. Lots of little things to think about. I’m glad I could make this trip.

Comments

visualweasel – Jul. 16th, 2010

Enjoyed reading about your drive

I’m impressed that you’re taking the time to see this much of the country “from the ground”. I’m looking forward to reading your post on Mythcon proper. 🙂

Best,
Jason

scribblerworks – Jul. 17th, 2010

Re: Enjoyed reading about your drive

Well, some of it is that I do enjoy road trips (although I could have used a driving partner this time out – oh, well). And I do enjoy seeing the expanse of the countryside — always a good thing for a writer. This trip in particular, I was paying attention to the sense of distance — it’s hard to describe something in fiction when you don’t really have an experiential feel for it. I got fairly good (for a totally urbanized gal) at picking distances in the 3 to 6 mile-distant range, which was gratifying.

When you fly over the country, it’s easy to forget out BIG our land is, and what variety it holds.

translatorius – Jul. 16th, 2010

Quite the trip!

Hi …

As I decided to possibly re-enter my Livejournal, after only ever so short using it back in the days when I established it, I decided to take your announcement on Facebook as a trigger and come over to have a read. Turned out to be a good idea; very pleasant travel journal – and obviously, you are not done yet, but Comic Con is due still.

Well, I’ll make sure to drop in as soon as the next update will be online.

CU then, and have a safe trip plus loads of fun at the convention :-)!

~Michael

scribblerworks – Jul. 17th, 2010

Re: Quite the trip!

Thanks, Michael!

Even though I am now home and tired (in fact, my suitcases are still in the trunk of the car), I am very happy with the trip. I had a good time, it was great stopping to visit with friends, and I’ve given myself some things to think about.

And hopefully, I’ll get enough sleep before Comic Con that I will be all rarin’ for that experience.

sartorias – Jul. 16th, 2010

Awesome country to drive through. Glad you had fun!

scribblerworks – Jul. 17th, 2010

Thanks! Yes, it was something to see, and be reminded of “real” landscapes. Memories to draw upon when writing.

The pathetic thing is that although I had my camera with me, I hardly took any pictures at all! Bleh.

Road Trip 2010 – Part 1

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Road Trip 2010 – Part 1

(Originally posted on LiveJournal)

I managed to get myself onto the road by 7 am on Tuesday morning. Even with a stop at the bank to beg from the ATM for hand-cash. The advantage about traveling eastward at that hour was that very little traffic (in relative terms for LA) was heading in that direction. So I made very good time and had gotten as far as Newberry Springs (on the I-40 beyond Barstow) by 9 am.

The morning was overcast with a marine layer of cloud, making it both very gray in the lighting and cooler than it might have been otherwise. The marine layer extended all the way out to San Bernardino and hung down in the Cajon Pass. It made the drive feel a bit odd because it seemed as if I was driving on a plain, because the mountains were obscured. Even into the Pass, the lower level of the slopes were visible but not much else. It was unsettling. I glanced at my speedometer as I was climbing and realized that the lack of reference made me unaware of my speed. I slowed down — let’s not overheat the car by trying to climb that pass at high speed.

The cloud cover began to break at 4,000 feet, and sunlight began to crack through. Once up on the plateau, it proved to be a nice sunny day.

Coppervale Studio

Coppervale Studio

My goal for the first day of travel was to reach Taylor, Arizona. I was going to be visiting with James Owen and his family. I arrived there about 5:30, and was, happily, not an utter road-zombie. My hosts treated me to dinner, and I thoroughly enjoyed the company. The big news with the family was the acquisition of two young goats, which the junior Owen members were raising as a 4-H project. They seemed quite diligent about this project, and hopefully they will stay so, but it should be noted it was Tuesday and the two goats had only joined the family that Sunday. Sophie (as she explained after dinner as we drove to the Coppervale Studio) has some very definite plans for her display pen for her goat (for an event still some time away). I observed that she was very ambitions about this … and, after thinking about it, added to her father, “But then she is your daughter.” James chuckled and said he was waiting for that addenda. At the Studio, I got to see the current piece of art he is working on (and no, Lynn, I did not drool over it), and was delighted to see the progress and typically Owen-esque details being added. Afterward, there was some time to enjoy the grounds of the studio in the dusk and nightfall — the quiet of the countryside holding the setting of the music of crickets, the occasional flitting of the resident bats (which happily consume the more pesky members of the insect kingdom), and the night sky of stars with a whispy veil of slight clouds. All in all, a very pleasant visit.

The next day, the drive across the rest of Arizona, New Mexico and part of Texas was mostly uneventful. But the changes of the landscape were a pleasure to see. Toward the end of the day, in the expanse of the plains, the skies were spectacular to see.

Spectacular sky over the plains

Sky spectacular

I found my hotel easily, and was glad to be done with moving for the day.

However, around midnight, there was a torential downpour.

In the morning, I learned that a nearby intersection had even been flooded during the dark hours of the night. And I would have several cells of storm weather ahead of me as I drove on to Dallas.

I had a steak and eggs breakfast at a Denny’s. But I had started later than I meant, which would have an effect at the end of the day.

In the meantime, I enjoyed most of the drive. For a good portion of time, the storms were distant, although the cloud cover was omnipresent, a dark low-hanging ceiling. It was intriguing, for I could see the gray of heavy rainfall off to one side or the other – a complete blur of gray from cloud to ground. But for a while the road I was on lay between such cells. Occassionally, the lighting seem to indicate that the way ahead was clear, and then suddenly the little sprinkles of precipitation would turn into sheets of rain. It required paying attention to the driving and not just letting cruise control rule the road. The road surface varied in how wet it would be at any point. And of course, the proximity of any big rig meant there was a large plume of kick-up water around them (no fun for the low-lying Mustang).

Driving in rain

(Not my picture of rain on a freeway)

At one point, though, the downpour was so heavy, I literally could barely see the white line on the side of the road. I was down to barely 50 miles per hour, and really anxious about the conditions. I took the very next exit that presented itself. As I pulled up the ramp to some country road, there over on the shoulder of the ramp was one big rig, already stopped to wait out the downfall. I pulled way up ahead of the rig, stopped and parked, and turned on my hazard flashers. A moment later, two other vehicles (and SUV and a pick-up, I think) also pulled up behind me and stopped. It seemed like a good moment for a little bit of cat-napping, so I did put my head back and let myself rest. The two late-comer vehicles pulled out after about 5 minutes. I followed about 3 minutes later, leaving the rig behind. The worst of the downfall had passed, and so I continued on.

Intermittent rain continued to punctuate the drive. Eventually I reached Decatur, where I took a two-lane (mostly) highway eastward to reach the I-35 to continue south to Dallas. It was here that it became obvious that I should have started earlier that morning. I hit Denton at rush hour time. Traffic in both directions was heavy. What I expected to be a mere 30 minutes to the hotel were Mythcon will occur turned into an hour and 15 minutes, mostly crawling along.

But I did arrive, and safely at that. And friends were already on site. I enjoyed the company of the Rauschers for dinner (Emily newly titled “Doctor” with the completion of her Ph.D. The effervescent Autumn was absent however, one of the few times she has missed Mythcon.).

And today, Mythcon begins.

But right now, for me, breakfast is calling.

Road Trip 2010 – Part 2

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