Television Series Sets – Mission: Impossible – Season 1


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The lit dynamite fuse burning across the screen. The driving theme music. The snappy images of bits of “this week’s” episode. You know what it is right away. It’s the original Mission: Impossible.

Looking at the show across the distance of time, wherein television film technology has improved and the visual style has gotten more and more cinematic, you realize the series is an element of its time. But once you step beyond those visual reminders, you are right in the middle of fast-paced intrigue, well written and well acted.

Mission: Impossible cast from Season 1

Mission: Impossible cast from Season 1

Tops worth noting is Barbara Bain, the quintessence of elegant cool and sophistication. I wracked my brains to think of an actress now in her 30s who had the same presentation of classy smarts, and it’s just not there. That she’s a terrific actress as well puts the spice to the show – in this case, Cinnamon. The rest of the cast settles into their parts easily. Back in the day, the casting of Greg Harris as the technology whiz was notable in that the show never made a deal out of his race: he’s presented as the best in his craft and that was the end of it. It might seem like a small thing today, but it had its impact.

For most who know the series, they think of Peter Graves as the team leader, but Graves didn’t take on that role until Season 2. In Season 1, the M: I team was led by the laconic, dry-humored Steven Hill (who years later would appear as Adam Schiff DA of NYC on Law & Order).

Anyway, how can you not like the prototype for fast paced intrigue with surprising twists along the way. After all, the missions don’t always go according to the original plan.

It definitely holds up after all this time. Well worth watching.

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Television Series Sets – Cadfael – Set 1


starring Derek Jacobi, Sean Pertwee

The Cadfael Mysteries are well crafted novels, plopped in the midst of mediaeval conflict. Ellis Peters conveys the historical period without forcing you to endure a history course in order to follow events. In the midst of this, she plants her “rare Benedictine” of a detective, an astute, observant former soldier, who has (quite seriously) become a Benedictine monk and herbologist. His worldy experience makes him unsurprised by human actions, while his religious calling gives him compassion for those stressed beyond their endurance.

Derek Jacobi & Sean Pertwee in "Cadfael" (Season 1)

Derek Jacobi & Sean Pertwee in “Cadfael” (Season 1)

These dramatizations of the books shine in their adaptations. Jacobi is perfect as Cadfael, bringing depth, humor and a touch of steel to the character. In “One Corpse Too Many”, Cadfael crosses wits with Hugh Beringar (played by Pertwee in this set, and in my opinion, the best of those to play the role of Beringar) in trying to find out how and why a murdered man’s body winds up among those of some executed rebels. The other episodes in the set are also good. “Monk’s Hood” brings a former love of Cadfael’s back into his life, when her son is suspected of murder. “The Leper of St. Giles” combines murder and thwarted young love. “The Sanctuary Sparrow” presents a murder in a setting of class conflict and prejudice.

Now, I’d be willing to sit and watch Jacobi read from laundry lists. So, it’s easy for me to praise his work. Even so, he’s very good here. Also, as a medievalist, I like the setting. And of course, the mystery story fan in me loves a good puzzler. Here I get it all in one fell swoop, all nicely done.

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Music – Grunt


Sandra Boynton

Sandra Boynton

Sandra Boynton

I’m reviewing this here as “music”, but it’s a delightful confection for the over-educated (I suppose). This work was released with there was a spate of recordings of Gregorian chants. In Grunt, Boynton gives the listener, and reader a very humorous play on chants in the Latin language. Because how can a playful mind not go from “Latin” to “Pig Latin”?

In the dulcet tones of choirs practiced in Gregorian chants, we are given a musical setting of the activities of one day on a farm – Old MacDonald, in fact. And everyone “speaks” in Latin. Except, of course, the pigs. Because they speak in, yes, Pig Latin. The text playfully has fun with onomatopoeic sounds, such as having the ducks asking “Quaqua, quaqua” (for “anyway”). There are plenty of other English/Latin jokes thrown in to find. The booklet that the CD comes with has both the Latin and the English texts, so you can enjoy the fun.

It’s educated and silly. And well done.

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Music – Beethoven: the 9 Symphonies


John Eliot Gardiner, conductor; The Orchestre Revolutionnaire et Romantique (Archiv Production)

Beethoven is, of course, one of the Greats of classical music. But other than the Pastoral (the 6th) Symphony, I’ve found most recording of the symphonies hard for me to listen to. And until I heard these recordings, I couldn’t really articulate why.

John Eliot Gardiner

John Eliot Gardiner

Gardiner and the Orchestre Revolutionaire et Romatique have recorded all nine symphones on period instruments. One of the consequences of that is that the stringed instruments are not using modern metal-wound strings. The use of catgut strings takes a harsh edge off the extensive string passages. Without the hard edge of the metal, the native agressiveness of the music itself is allowed to take the forefront in the sound. Additionally, Gardiner conducts the pieces at the speed (apparently) which Beethoven himself designated: this is considerably faster than many orchestras have performed some of the pieces. And yet, to my ear, these two factors suddenly opened up symphonic Beethoven to my ears: this was the way the music was intended to be performed, and it feels right to my internal responses.

Full of energy and verve, I think this is the very best recording of Beethoven’s symphonies.

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Music – Memoirs of a Geisha


John Williams (composer)

John Williams

John Williams

Williams is well known for bold, brassy fanfares for heroic films. Some of those scores I find a bit too much like each other. But Memoirs of a Geisha is different.

Williams captures a sound that evokes Japan, without being alien to Western ears. The score features Yo-Yo Ma on cello. It is lyrical and graceful. I confess that I did not see the movie. But I definitely like the filmscore recording. It is a pleasure to listen to.

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Music – Still the Same



Rod Stewart

Rod Stewart

Rod Stewart

Rod Stewart has one of those voices that shouldn’t really work for a singer. He’s got a rough edge to his sound. It is the fact that he can sing in tune, and has a knack for meaningful phrasing, that has kept Stewart working successfully all these years. The rough edge of the voice reminds us that a genuine human is sharing his musical love with us (unlike other singers, whose over-processed and perfectly smoothed-out voices might as well be synthesized).

In this collection, Stewart gives us fresh renderings of several classic rock standards. “Have You Ever Seen the Rain”, “Still the Same” and others have both the familiarity of their long history and also a re-energized freshness by being delivered by a singer who knows them well and loves them. Oh, most certainly, Stewart is “Still the Same.” And that “Same” is good.

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Music – They Called Her Babylon


Steeleye Span

Steeleye Span

Steeleye Span

The traditional music band Steeleye Span has a long history of recording old ballads and songs with modern accompanyment and musical sensibility. They Called Her Babylon, released in 2004, continues that practice: songs about exile (“Van Diemen’s Land”), long lost love (“Mantel of Green”), foolishness cured (“Heir of Linne”), or the anger of a woman scorned (“Child Owlet”), all tell us more about human nature. The album’s title track, “They Called Her Babylon” celebrates a woman’s effective leardership in one of the clashes of the English Civil War. (And you though feminism was a late 20th Century stance?)

Now, when it comes to traditional music, I’m an easy touch for Steeleye Span. I love their work. The harmonies of the band here are, as always, excellent. And they shine with the luster of Maddy Prior’s incomparable voice.

It’s a pleasure to listen to. Give it a try.

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Books – Dinah of Seneca


Dinah of Seneca by Corrina Lawson

I suppose I should reveal that Corrina Lawson is a friend. But that doesn’t change the fact that she tells a whopping good tale.

Corrina Lawson

Corrina Lawson

Lawson plunges into the realm of alternate history and has created a very intriguing combination. In her world, the Roman Empire has not fallen, and it has, instead, expanded its reach even into the Western Hemisphere. But the Romans are not the only Europeans who hae reached the region we call “New York State.” No, Vikings have also settled in the area, and have been there long enough to have mated with the natives and have a second generation (at least) grow to adulthood, a generation who have no real emotional connection to the European points of origin.

Into this world, we have Dinah, a Roman woman who had been trained as a spy ever shince she was sold into slavery as a girl. She is now a freewoman in the roman settlement of Seneca, trying to make a life for herself in difficult circumstances.

When Vikings and Mahicans attack Seneca – and then the Mahicans turn on the Vikings – Dinah is plunged into her former profession in order to try and save her new home.

Lawson very credibly imagines the clash of these three wildly different cultures. The engineering and military arts of the Romans, the spiritual/religious beliefs of the Vikings, and the deep connection to the vast untamed land they live in that the native tribes have, all these figure into transforming Dinah as she moves forward. Lawson very astutely never makes the appeal of the Different so strong that Dinah’s choices are easy. She very credibly shows how difficult it is for Dinah to consider major change.

The prose is a smooth read, holding the attention, providing just enough detail to intrigue but not so much that it bores. Each character, even minor ones, is well drawn and vivid. The reader gets a sense of depth, even when a character’s presence is peripheral.

This is a definite recommend. Try it, you’ll like it.

Note: there are adult sexual encounters in the story.

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Books – The Writing Class


The Writing Class by Jincy Willett

Writers find writers endlessly fascinating. Is it because we want to compare ourselves to others? Even though, if the writer is at all honest, we know that no two writers are exactly alike, that our work will be different and that our skills differ. We still are fascinated. I’ve included myself in that, because I am a writer, and I too respond this way. And I’ve gone into this because The Writing Class plays on this a bit.

Jincy Willett

Jincy Willett

What would happen if a pathological menace were hidden under the sufrace of one of the students in a writing class? Especially since writing classes that include open critiquing can be bruising to one’s ego?

Willett takes this emotionally charged situation and tells an engaging mystery story. It starts out with acts of petty malice, the sort people usually brush off or don’t talk about. But just as Willett builds on her observations about writing in general (making the book a bit of a study course for a writer-reader, but in the most entertaining way), she also builds up the underlying resentment of the perpetrator. The bitter resentment of thwarted ambition drives the story’s villain, on of those “Why can’t I get published?” angry ones.

I thoroughly enjoyed The Writing Class. I liked the discussions the characters have regarding each others’ works. But I especially liked the main character of the teacher, a published novelist who has lost her inspiration and so lives by teaching and editing.

Will non-writers enjoy this story? I think so, as it is a nicely crafted mystery wrapped up in a genuine picture of the different ways that writers come to their work. Get comfortable, curl up, and join the Writing Class of Amy Gallup.

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Books – Here, There Be Dragons….


Here, There Be Dragons by James A. Owen
The Search for the Red Dragon by James A. Owen
The Indigo King by James A. Owen

James A. Owen

James A. Owen

When a trio of young men come together in London on a dark and stormy night, to find themselves in the middle of a murder investigation of a noted scholar – and all this in the opening pages of the first volume of The Imaginarium Geographica – any reader is going to be curious about what happens next. It’s the nature of storytelling, after all. And when the reader learns that strange creatures are hunting this trio of men, he knows he is in for an unusual adventure.

Owen launches his characters and readers into an adventure that crosses the boundaries between the “real world” and literary creations. But his romping tale is more than just a cruise through story references. In the course of telling a good tale with engaging characters (I dare you to dislike a talking badger whose skills run to baking weaponized blueberry muffins), he insightfully shows you links (in tone or meaning) between a variety of literary creations.

At the heart of the novels lies the responsibility of protecting the atlas called The Imaginarium Geographica, which contains maps of all the lands ever to appear in stories. The guardians of this important book can use it to navigate the islands of the fantasy realm. But there are dark forces that want control of the Geographica, the Archipelago and indeed even the “real world” (for what affects one realm can affect the other). Along the way, the reader begins to realize the real power of storytelling, not just in this wonderful confabulation that Owen has created, but in any story.

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